PERSONAL NOTE
Verdi´s Macbeth is definitely an autonomous world. Understanding this, helps to see the play in a hole different way, and thats a great starting point if you want to give such a powerful visual statement.
This particular approach intended to create an atmosphere in which audience is able to identify how isolated Macbeth is. The deep struggle he´s going through is intentionally exteriorized through the costume and set design by using sharp and rough shapes, metal spikes, a strong contrast between materials and a wide variety of influences that reflect Macbeth`s inner confusion and troubled mind. Certainly this is a breaking proposal that explores a fantastic world and enables audience to play with their pre-conceptions of the story and the characters.
NATIONAL SYMPHONY ORCHESTRA OF Colombia
MAIN DIRECTION: Olivier Grangean
COLOMBIA´S OPERA CHORUS
Director: Luis Díaz Herodier
POLICE NATIONAL SYMPHONY ORCHESTRA
Director: Miguel Ángel Casas
MUSICAL DIRECTION: Pietro Rizzo
DIRECTION: Ignacio García
ART DIRECTION: Laura Villegas
LIGHTING DESIGN: Bogumil Palewicz
MUSIC DIRECTION ASSISTANT: Alejandro Roca
STAGE MANAGER: Ramiro Gutiérrez
STAGE MANAGER ASSISTANTS: Valentina Blando y María Tejera
LIGHTING MASTER Karen López
CONSTRUCTION DESIGN: Henry Alarcón
MAKEUP AND HAIR STYLIST: Alejo Restrepo
CHILD CHORUS DIRECTOR: Eunice Prada
ART DIRECTION ASSISTANTS: Santiago Ferreira, Nathier Fernández y Paola Martí
ARTISTIC PRODUCTION: Paula Cardoso
COSTUME DESIGN ASSISTANTS: Rafael Arévalo y Mariana Schrader
RESEARCH ASSISTANT: Ana María Rodriguez
GRAPHIC DESIGN: Bitácora
SET CONSTRUCTION: H&G Studios
COSTUME TAYLORS: Servando Diaz y William de Jesús Cruz
SHOEMAKER: Miguel Diago
PROPS: Jhon Alejandro Sánchez
3D ANIMATION: Ana Winograd y Mauricio Clavijo
MODEL: Juliana Pinto y Mónica Feldman
SUBTITLES: Marta Kovacsics
CAST: Vladimir Stoyanov, Dimitra Theodossiou, Sergio Escobar, Valeriano Lanchas, Christian Correa, Paola Leguizamón, Camilo Mendoza, Ricardo Guatibonza Juan Alberto Luna Guerrero, Manuela Ramirez Zea, Juan Manuel Echeverri, Diego León Hoyos